Clara Schumann, one of the greatest pianists of the 19th century, wrote a piano concerto at the age of fourteen. But by the time she was in her thirties, she had largely given up the idea of composing.
“I once believed that I possessed creative talent, but I have given up this idea,” she said. “A woman must not desire to compose—there has never yet been one able to do it.”
Why did Schumann believe this when many talented and prolific women composers—like Hildegard von Bingen, Barbara Strozzi, Fanny Mendelssohn—had come before her? Because music by women was too often ignored and trivialized.
While women composers have made significant gains in the music world in recent years, there is still a disparity between how often and the way in which we talk about male and female musicians. Many writers and audiences still use deeply gendered language to discuss music by women, often subconsciously. Ideas that women’s talents are limited to shorter, simpler forms and emotional, but technically unimpressive works still lingers. The percentage of music by women taught in music classrooms is still staggeringly low. To many young musicians, it still can look as though women don’t really compose.
That’s why changing how we talk about women in music is so important, and why the website Music Theory Examples by Women is organizing an Edit-a-Thon to change the way women in music are represented—starting with Wikipedia.
The national Wikipedia Edit-a-Thon is scheduled for Saturday, Sept. 29. The goal is to edit existing entries and create new entries to radically update the way women in music are represented across Wikipedia—and eventually, the broader musical discourse.
Anyone anywhere can participate, but if you’d like to edit with a group, in-person workshops are being offered throughout the country. The first half of the event will focus on discussing biased writing on women in music and learning how to edit Wikipedia. Attendees will have the time to work on editing and adding to Wikipedia entries during the second half. No prior musical knowledge or experience with Wikipedia is needed.
Seattle’s event is hosted by Live Music Project Executive Director Shaya Lyon, and will begin this Saturday, Sept. 29 at 10am. Click here for additional details.
Additional workshops are being held in Boston, MA, East Lansing, MI, Houston, TX, Fredonia, NY, and Rochester, NY. Click here to learn more or register for a workshop.