LIVE CONCERT SPOTLIGHT: December 4-7

by Maggie Molloy

These artists are spicing up the December music calendar with everything from comedy to cabaret to neoclassicism and more!

Ahamefule Oluo’s “Now I’m Fine” at On the Boards

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Brighten up one of those dreary Seattle nights with a trip to “Now I’m Fine,” a multidisciplinary music event combining comedy with classical music.

“Now I’m Fine” is an experimental pop opera about holding it together, starring comedian, musician, and storyteller Ahamefule Oluo. The performance draws from his personal stories about illness, sorrow, hope, and other emotions and experiences to which all of us can relate. Unlike the rest of us, though, Oluo tells these personal stories with the help of a 17-piece orchestra and a fantastic cast of performers.

The stories range from tragic to triumphant, travelling through the happy, the sad, and even the awkward. The result is a theatrical production filled with laughter, life lessons, and a lot of beautiful music.

The show runs Dec. 4-7 at On the Boards’ Merrill Wright Mainstage Theater. Shows are at 8 p.m. Thursday through Saturday and 5 p.m. on Sunday.

 

The Esoterics’ Irving Fine Centennial

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Prepare to fall down the rabbit hole next weekend when the Esoterics bring to life poetry from Lewis Carroll’s “Alice in Wonderland.”

The Seattle-based vocal ensemble is performing neoclassical composer Irving Fine’s musical settings of six poems from “Alice in Wonderland” as part of a larger performance commemorating his 100th birthday. But that’s not all—they will also perform essentially all of Fine’s other choral works, including his poignant “Hour Glass,” his witty and virtuosic “Choral New Yorker,” his musical setting of the Yiddish poem “An Old Song,” and much more.

The performances are Friday, Dec. 5 at St. Stephen’s Episcopal Church at 8 p.m., Saturday, Dec. 6 at All Pilgrims Christian Church at 8 p.m., and Sunday, Dec. 7 at Holy Rosary Catholic Church at 3 p.m.

 

My Brightest Diamond at the Crocodile

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Not many musicians can shine in both classical and art-rock musical settings—but Shara Worden is a sparkling star no matter what she’s playing. Her avant-garde rock music project, My Brightest Diamond, combines her operatic vocal training and classical composition studies with a theatrical performance art aesthetic.

Next weekend My Brightest Diamond is bringing some glitter and grace to Seattle with a show at the Crocodile. The show is part of a U.S. tour in support of her new album, “This is My Hand,” which was released this past September. The album combines elements of opera, cabaret, chamber music, rock, and even electronic, drawing from Worden’s many multifaceted musical endeavors over the course of her career.

The concert is next Saturday, Dec. 6 at the Crocodile at 8 p.m.

PAUL TAUB: EMBRACING AND SHARING NEW SOUNDS

by Maggie Stapleton

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Seattle’s rich and vibrant flute community would not be nearly such without the presence of influence of Paul Taub.  He is a Professor of Music at Cornish College of the Arts and founding member of the Seattle Chamber Players, two organizations constantly pushing the envelope of contemporary music through innovative performance venues and adventurous repertoire.  I’m thinking most recently of the Icebreaker VII Festival at On the Boards in Seattle.  (Listen if you haven’t heard these excerpts!)

Paul has performed and recorded American and world premieres by Robert Aitken, John Cage, George Crumb, Janice Giteck, Sofia Gubaidulina, Wayne Horvitz, Ned Rorem, Toru Takemitsu, Reza Vali, and Peteris Vasks  – composers you’ll likely hear on any given day here on Second Inversion!  In 2011, Paul released Edge, a collection of “Flute Music from the Periphrey of Europe” on the Present Sounds label here in Seattle.  Chamber music by Armenian Artur Avanesov, Latvian Peteris Vasks, Georgian Giya Kancheli, Azerbaijani Elmir Mirzoev, and Russian Sergei Slonimsky are represented by some of Seattle’s finest musicians.

Giya Kancheli’s Ninna Nanna Per Anna was commissioned by the National Flute Association in recognition of Paul Taub’s multiyear Board of Directors and New Music Advisory committee roles. Dr. Elena Dubinets writes, “This beautiful and uncannily slow lullaby uncovers itself through a very gradual blinking of major and minor keys in the pastel tones of nostalgia and half-forgotten memories.”

Please enjoy this entire track performed by flutist Paul Taub and many amazing collaborative musicians from the Seattle Area. (Paul Taub, flute; Mikhail Shmidt, violin; Natasha Bazhanov, violin; Julie Whitton, viola; David Sabee, cello)