Second Inversion’s Top 5 Moments of 2015

2015 has been a huge year for us! Besides filling the 24/7 stream with new music and insights, we kept busy out in the community, on the blog, and making videos! This is the final post in a series of “Top 5 of 2015” lists (check out our Top 5 Videos and Top 5 Albums) before we plunge into 2016.  Here are our top 5 moments/events/milestones/projects/good times:

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#5: John Cage Diary Series

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Armed with high-quality headphones and book in hand, over the course of eight weeks, Second Inversion’s Maggie Molloy listened through each of the eight parts of Cage’s Diary: How to Improve the World (You Will Only Make Matters Worse)recently published by Siglio Press, and created her own personal diary tracking the experience.

She gracefully navigated through the zigzagging maze that is Cage’s musical mind and shed light on some fascinating aspects of Cage’s life: his love of mushrooms, cats, anechoic chambers, technology (it’s arguable to say Cage may have predicted the internet), dance, and so much more.  Dive in from the beginning and let her guide you through this incredible series! Stay tuned for more great creative features and clever wit from Maggie M. in 2016!


#4: Live Broadcasts

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In 2015 we presented SEVEN live streaming broadcast concerts from Town Hall Seattle and Meany Hall, including Third Coast Percussion, Catalyst Quartet, Deviant Septet, SYSO Alums and Mentors, Johnny Gandlesman, ETHEL and Robert Mirabal, Ensemble Variances with Lisa Bielawa! These broadcasts allowed us to connect with concert-goers in the community while reaching audiences nation and world-wide on our 24/7 stream! Many of them are also available on our live concerts on-demand page Stay tuned for plenty more in 2016.


#3: Music Videos (& a New Music USA Grant)

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We’re grateful for all of the foundation support we’ve received for Second Inversion this year! Our grant from New Music USA was particularly exciting because it to helped fund our music videos. Our video stars include Joshua Roman, Turtle Island String Quartet, Jherek Bischoff, Ashley Bathgate, Danish String Quartet, musicians from OneBeat, Christopher O’Riley and Matt Haimovitz, and so many more. It’s been a wildly fun journey connecting with artists who are passionate about sharing new music with audiences. We’re incredibly grateful for the time they donated to be a part of this project! Check out the complete video collection on our video page.


#2: Northwest Folklife Festival

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In 2015 we had our first Northwest Folklife Showcase – really, our first public performance of any kind! The Passenger String Quartet and Seattle Cello eXperiment performed for an absolutely packed Center Theatre. It was an amazing opportunity for us to contribute to Folklife’s diverse music and cultural offerings and to connect with new audiences. Some showed up expecting a more traditional “classical” concert and instead were able to Rethink Classical. Needless to say, we’ll be back for a 2nd showcase in 2016!


#1: Joshua Roman named Artistic Advisor

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In March of 2015, Second Inversion brought Joshua Roman on board as the Artistic Advisor! Joshua has helped us “Rethink Classical” with our Seattle community and our national and global audiences by posting to our blog, introducing music on our 24/7 stream, and collaborating on new ideas and initiatives. Stay tuned for more from Joshua in 2016!

Second Inversion’s Top 5 Videos of 2015

2015 was all about the videos here at Second Inversion! We hosted 22 recording sessions and produced a total of 44 videos! We connected with musicians from Seattle, San Francisco, New York, Chicago, Montreal, Los Angeles, Austin, Paris, Denmark, Malaysia, Colombia, and Indonesia! You can peruse them all on our video page, but here are the top 5…

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#5: Third Coast Percussion and Joshua Roman at Town Hall, Seattle

#4: Christopher O’Riley and Matt Haimovitz at the Tractor Tavern

#3: yMusic in our studios

#2: Friction Quartet in our studios

#1: Ashley Bathgate (Bang on a Can All-Stars) in our studios

Stay tuned for videos in 2016 of local musicians playing Steve Reich, SO Percussion, Gabriel Kahane w/ Brooklyn Rider, and more!

Gratitude

by Joshua Roman

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I write this as I sit in a very comfortable business/first seat on a flight from Asia back home to New York City, reflecting on my visit to Seoul. One of my close friends had his wedding there, and I was fortunate enough to be free and able to be with him and his new wife for this important occasion. We spent some amazing time together in the city, and I got to play at his wedding, on a cello made by his father. The flight upgrade is happily a result of my frequent flier status, which makes a big difference on such trips.
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Music has a powerful effect in the world. It’s all around us every day, whether we choose it or not. We use music during gatherings of all kinds to create a unified spirit or deepen bonds, music pervades the other forms of entertainment to enhance desired emotional effects, and we have special occasions (concerts) where music is the centerpiece. Music is not only about community, these days most people have their own  collection of music that they can tap into depending on their mood or activity. You can take this even further through music therapy, and other forms of healing both mental and emotional. It’s also used to influence us to purchase certain products, to attract us to a location or entice us to stay longer – even sometimes to drive us away.

I listen to a lot of music. Often, I listen in a kind of work capacity – finding new artists and composers, researching styles and genres, programming concerts, checking out recommendations, etc. Of course, it doesn’t usually feel like work, I love listening to music. I also use music as a way to relax, focus, become energized, and have a kind of spiritual experience. There have been occasions when the power of music has transcended anything I could have said or done, often when I’m listening, and sometimes as a performer as well. I get to work through thoughts and feelings in a way that feels even more direct than words. Most recently I was able to do this on a large scale through the writing of my cello concerto. In the past there have been instances where I’ve turned to music when alone to help me face dark thoughts, and find a safe release valve.

How does this relate to gratitude? The role of music in our lives is undeniably present, and can manifest in any number of ways. I’m so incredibly grateful that my life is very connected to music every day. There are so many wonderful people in my life who I know through music making. Obviously this includes my musician friends, but it goes far beyond that – people who support what we do, audience members who have become close friends, and connections through communities like TED that have come about because of the cello. The breadth of connections in my life that stem from music is overwhelming, and in some instances I believe the depth goes beyond what is possible without this abstract yet binding force. Because I make my living through music, I’m also grateful for being able to eat (that’s a big one), to live in New York, and to travel throughout the world (I’ve played on six continents so far).

The list of reasons to be grateful for music in my life could go on and on, and very quickly I begin to feel responsibility to give back. Strictly artistically speaking, I take this very seriously. It’s one of the reasons I’ve become so passionate about new music, and dedicated to encouraging unique musical voices. Music can be so powerful, so relevant, so meaningful, but I don’t think it is ever more so than when a musician is able to reach deep within and bring something personal to the table. Hopefully I can share this passion through the quality of my performances, the content of my programming, the musicians and other artists with whom I share the stage, the music that I write, and other platforms including this blog. I can also strive to give back on a personal level to those around me, and use the resources that have come my way through music to do things like fly to Korea to be there for my friend on his wedding day.

It’s been a big few years, I’ve added a lot of artistic endeavors to my plate. At times it’s been confusing, but I’m beginning to gain clarity and focus. Now is the time for me to show my gratitude by honing in on the path in front of me and committing to developing a kind of rhythm and consistency with the projects I take on.

How are you grateful for music in your life? How are you inspired to give back? Please share your stories in the comment section below, whether they’re specific moments or general practices.

Currently listening to…
Seattle Symphony: Become Ocean
Ayub Ogada: En Mana Kuoyo
Cleveland Orchestra/Boulez: Rite of Spring

LIVE BROADCAST: Ensemble Variances w/ Lisa Bielawa

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LIVE contemporary classical music from Town Hall Seattle, straight to your living room, kitchen, mobile headphones, anywhere with an internet connection.

Tonight, tune in at 7:30pm PT for Ensemble Variances with Lisa Bielawa for Cri Selon Cri. This production is the brainchild of France’s Thierry Pécou and the United States’ Lisa Bielawa — a work which brings together their compositions, performance, and, quite literally, their cries of pain. This tour, sponsored in part by the French government, demonstrates the power of music to bring people closer.  In addition to works by Bielawa and Pécou, John Zorn’s music will make an appearance on the program.

Second Inversion host Geoffrey Larson and Artistic Advisor Joshua Roman will bring you commentary from the stage and behind the scenes throughout this riveting program. Stream online through your computer or better yet, download our mobile app and stream it on-the-go!IMG_5068

Due Date: Awakening

by Joshua Roman

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#TFW you’re about to hear your first orchestral composition for the first time…

It’s alive! My first cello concerto, has come into the world – kicking and screaming – but alive. What a crazy experience. I’ve never done anything quite like this, and while it was a project that stretched me almost to the limit, it’s been worth it. I feel more in touch with my artistic sensibility than ever, and more motivated to continue the creative process than I have been in a long time.

I’ll save details of the piece for the day when I’m able to share a recording. In the meantime, there were plenty of lessons in the process.

Lesson 1: Everything Takes Longer Than You Think!
Lesson 2: Everything Takes Longer Than You Think, Even After Allowing For Lesson 1.

The other lessons were more fun, and didn’t require all-nighters. (which leads to apologies to my copyist, George Katehis, who should be sponsored by Red Bull.)

I learned that I am not so good at revision – I already kind of knew this, in relation to writing this blog (among other things). I think it might have something to do with my training as a performer, spending years developing the skill of memorizing quickly. Perhaps those neural pathways need to chill a bit, and not wear those grooves in so deeply on first hearing. Luckily, I’ve been getting better at it by necessity. The blog helps, but the concerto really was a breakthrough in that sense. The pressure of an impending performance where I’m presenting my own art led to much more scrutiny than I realized I was capable of.

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As usual, Mom and Dad got the first preview via Skype.

I also learned that it takes a bit longer than the warm-up time between dress rehearsal and the concert to switch from the composing mindset to the performing one. It didn’t help that the damn composer (me) didn’t give the cellist (me) the music until very late in the game. As I rehearsed, my focus was very much on the orchestra bringing my imaginary sounds to life. Listening to hear if what I had notated was being played, and if so, was it working the way I expected? In this state of mind it’s hard to do much more than play the notes. During my break, I had time with the cello alone, and quickly realized that I needed to breathe and bring myself back into that special focus that I need to perform. It worked, somewhat, but as with everything else that week it would have been easier had the details of orchestration and rehearsal been more prepared by yours truly when we showed up for the endgame. I’ve kept careful track of these lessons, and am now super excited to apply them next time around.

In fact, I have the opportunity to do much of that as I finish my revisions before the next performance with ProMusica Chamber Orchestra of Columbus in January. I’m making changes now so there’s time to sit with them and continue modifying until it seems right. And then, I’ll walk away from it and just enjoy the continuing process as the interpretation can evolve rather than the notes themselves.

There’s not much to do: a couple of sections need an extra measure or two to develop the way I meant. And balance! I was sure, as a cellist who has played many concertos, that I would get the balance right the first time around. Lo and behold, I was overambitious and could tell immediately that adjustments were needed. Some of it was a matter of adjusting dynamics in rehearsals, but we didn’t get quite all the way to balance perfection. No way am I going to practice some of the ridiculous passagework if it can’t even be heard! Those are relatively easy fixes though. The more I hear others play my music, the more I realize the importance of detailed markings. They can convey a shape and a character that bring them out even if a dynamic is soft, or simply serve to hold a players’ attention in a way that attracts the ear of a listener.

I’m very grateful to all who made this project possible. To have created something that speaks of personal emotions is a great feeling, and the fact that I’m able to share it on such a platform and with the support of others is incredibly inspiring and uplifting. This is only part two – eventually there will be music to play for you, and I look forward to that moment. In the meantime, go create something!!

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Backstage after the premiere. That was intense! It was great to have David Danzmayr conduct.

My current playlist:
Ingram Marshall: Gradual Requiem
David Byrne and St. Vincent: Love This Giant
Barber: Essay No.2 for Orchestra

Joshua Roman’s cello concerto “Awakening” was premiered on October 17, 2015 with Illinois Philharmonic Orchestra and conductor David Danzmayr, commissioned by Illinois Philharmonic Orchestra, ProMusica Chamber Orchestra of Columbus, The Lied Center of Kansas, and The Corral Family. For more about “Awakening,” check out the Chicago Tribune preview and its first review in Chicago Classical Review.