by Maggie Molloy
This week’s spectacular music calendar has everything from Schnittke to Stockhausen to saxophone quartets and more!
University of Washington’s Modern Music Ensemble Winter Concert
As millennials, the students of UW’s Modern Music Ensemble (Inverted Space) know a thing or two about new music. This Thursday, they are presenting a winter concert featuring a wide spectrum of works by contemporary composers.
The colorful program starts off with George Crumb’s “Dream Sequence (Images II),” an ethereal sound tapestry written for violin, cello, piano, percussion, and an off-stage glass harmonica. The students will also perform Alfred Schnittke’s poignant and powerful Piano Quintet, which was written in memory of his mother. Karlheinz Stockhausen’s serial “Kreuzspiel” and Jacob Sundstrom’s “no comment from the Grey Room” round out the program.
The performance is this Thursday, Jan. 29 at 7:30 p.m. at the Floyd and Delores Jones Playhouse Theater at University of Washington.
Ivan Arteaga’s Neijing Ensemble
What could be better than the sweet and sensual sound of a solo saxophone? Four saxophones at once. This weekend, Seattle saxophonist Ivan Arteaga’s Neijing Ensemble is presenting a series of new improvisational pieces for saxophone quartet.
The ensemble began as something of a saxophone jam circle, which inspired Arteaga to begin creating gestural and improvisational pieces for the group. The quartet has since expanded their repertoire to include a wide range of musical influences. This performance features an arrangement of an Alban Berg string quartet as well as arrangements of American folk songs by Arteaga, Levi Gillis, and Luciano Berio. Three acoustic bassists will join the ensemble to perform two original compositions by Arteaga.
The performance is this Friday, Jan. 30 at 8 p.m. at the Chapel Performance Space at the Good Shepherd Center in Wallingford.
Byrd Ensemble Presents “In Memoriam: Hallock and Tavener”
Most Seattleites are familiar with the Sunday night Compline at St. Mark’s Cathedral—but are they familiar with the composer who started it all?
Peter Hallock was a composer and liturgist who founded the Compline Choir at St. Mark’s Cathedral, where he served as organist and choirmaster for 40 years. This weekend, Seattle’s own Byrd Ensemble will pay tribute to the late Hallock by performing several of his best choral works—and what better place to sing them than in St. Mark’s Cathedral? The concert will also honor John Tavener, another late, great composer of religious works.
The performance is this Saturday, Jan. 31 at 7:30 p.m. at St. Mark’s Cathedral.
Matt Haimovitz and Christopher O’Riley Present “Beethoven, PERIOD.”
Forget the conventional concert-going experience of strict seating, formal attire, and refined performance etiquette. Next week cellist Matt Haimovitz and pianist Christopher O’Riley are bringing the sophistication of Beethoven to a whole new concert setting—Seattle’s own Tractor Tavern.
Following their collaboration on “Shuffle.Play.Listen,” an album exploring the evolution of music post-iPod, Haimovitz and O’Riley are now returning to the very beginnings of the cello and piano genre. In support of their new album, “Beethoven, PERIOD.,” the two will be performing Beethoven’s Sonatas and Variations on period instruments of the early 19th century. The repertoire provides unique insight into Beethoven’s life and work, and the informal setting allows for a contemporary spin on your favorite classics.
The performance is this Monday, Feb. 2 at 7 p.m. at the Tractor Tavern in Ballard.
Russia’s rich musical tradition has given rise to some of the most imaginative and innovative composers of the 19th and 20th centuries. And so, this weekend Seattle’s Royal Room is hosting a special performance in celebration of Shostakovich and several other Russian showstoppers.