Renee Baker: When Two Close Kindred Meet

Article by Gabriela Tedeschi
Audio interview by Dacia Clay

The celebrated, multi-talented composer Renee Baker is joining Kin of the Moon this Saturday for When Two Close Kindred Meet, a concert featuring the world premiere of Baker’s Tyaga: Divine Life Suite.

Structured around the four stages of life in the Hindu faith, Tyaga guides performers in improvisation by allowing them to respond to a variety of media: graphic notation, original paintings, and other printed media. This kind of outside-the-box approach to music is standard for Baker, who is known for her unique notation techniques and innovating by combining multiple art forms. Serving as conductor, too, Baker uses her own system of highly expressive gestures to lead the musicians and give shape to Tyaga.

Renee is after a charged, soloistic, intuitive, committed, take-no-prisoners, uncompromising approach to sound-making,” Kin of the Moon violist and co-director Heather Bentley said. “Renee’s ideas and insights about what new music is and can be are monumental.”

Baker is also co-hosting a film screening this Thursday with the Northwest Film Forum at the Seattle Public Library in Downtown Seattle. She’s presenting two films, one of her own and one by Oscar Mischeaux, both of which she has scored with the Chicago Modern Orchestra Project, a chamber ensemble she directs.

Second Inversion’s Dacia Clay speaks with Baker about her Seattle film screenings, the world premiere of Tyaga, and her wide-ranging musical career. Listen to the full interview below.


Renee Baker presents two film screenings this Thursday, June 14 at 6:30pm at the Seattle Public Library in Downtown Seattle. For more information, click here.

Kin of the Moon premieres Renee Baker’s Tyaga this Saturday, June 16 at 8pm at the Chapel Performance Space in Wallingford. For more information, click here.

Guest Blogging at New Music Box

by Maggie Stapleton

box-header-D2

Last month, I had the great pleasure of blogging over at New Music Box, a publication from New Music USA. My topics ranged from careers in music to community to classifying genre to the state of radio. If you missed any of them, we’ve got a recap for you here!

Workshop at university. Rear view of students sitting and listening in lecture hall doing practical tasks on their laptops. ** Note: Shallow depth of field

What I Didn’t Learn in Music School: “If you’re earning a comfortable wage and living a happy life doing Exactly What You Thought You’d Do With Your Degree(s), I applaud you. Sincerely! I am among the many people in the music world who are not, but I couldn’t be happier with where I landed…” Read the full post here.

forklift handling the container box at dockyard

Overthinking Genre: Second Inversion is a project dedicated to rethinking classical music, presenting new and unusual music from all corners of the classical genre. What does that mean? All corners of the classical genre? Even just ‘genre’? And how does one describe, define, and label this sonic palate that is perhaps most commonly referred to as ‘new music’? It’s a question I confront daily, but there’s no clear answer and it’s a hot topic in recent blog posts and Facebook discussions within the community…” Read the full post here.

Speaking together media concept as two crumpled pieces of paper shaped as a human head with talk bubbles or speech bubble icons taped as a communication symbol for business understanding and compromise agreement.

An Ode to Community: “Which communities do I belong to? Why are they important to me? What is my role in each one? Does community mean the same thing to me as to other people? What value do they add to my life? How can I impact my fellow community members in positive ways? Though I’m a part of many communities, I realize now that I’ve spent much of my life simply existing and participating in them, but not fully appreciating the innumerable facets of beauty and possibility that they offer….” Read the full post here.

Car Stereo Car Radio Personal Accessory Volkswagen Air Duct Air

The Case for Radio: “‘Is radio dying?’ I’ve been hearing this ominous question for years, especially in the context of the plethora of digital music platforms—Spotify, Pandora, our personal music collections, YouTube, SoundCloud, Bandcamp, and many more. Can good old-fashioned radio continue to thrive among the other options out there? I believe the answer is yes; radio is evolving, not dying, and there are foundational principles of radio that can’t compete with fancy new technologies…” Read the full post here.

And for fun, a related info graphic from the University of Florida.

The Evolution of Musical Tools