Producer and Host: Maggie Molloy
Maggie Molloy is the curator and host of the weekly Second Inversion radio show. Every Saturday night at 9pm she explores the expansive world of “new music,” zeroing in on a different theme or trend in contemporary music each week.
Maggie graduated summa cum laude from Seattle University with a Bachelor of Arts degree in piano, and she expanded her ears as a student of experimental composition in Paris at the renowned IRCAM (Institut de Recherche et Coordination Acoustique/Musique) founded by Pierre Boulez.
Maggie spent a year playing the handmade microtonal instruments of Harry Partch in the Partch Ensemble at the University of Washington, and has served as a host and pre-concert lecturer at events ranging from the Seattle Opera Gala to the John Cage Musicircus. As a journalist she has covered international music festivals in New York, Massachusetts, and Tennessee, and her work has been featured in New Sounds, The Stranger, City Arts Magazine, and Critical Read.
Audio Engineer: Nikhil Sarma
Nikhil Sarma is a board operator, audio engineer, and podcast producer at Classical KING FM and Second Inversion. He assists with the live broadcast of classical performances on air including the Seattle Opera, Seattle Symphony, and NW Focus LIVE. A native of Ottawa, Canada, Nikhil has lived in Seattle since 2009.
Outside of radio, Nikhil works as a live sound engineer at multiple venues across Seattle. He also plays multiple instruments including electric guitar, bass, and drums and can be found performing live in Seattle from time to time. Nikhil also passes time by reading as well as watching movies, particularly those directed by the Coen brothers.
Pingback: ALBUM OF THE WEEK: Gerald Cohen’s “Sea of Reeds” | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: “American Chamber Music” from Seattle Chamber Music Society | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: January 22-27 | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: Jake Schepps Quintet: “Entwined” | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: January 29-February 2 | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: Anja Lechner and François Couturier’s Moderato Cantabile | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: Bill Seaman and John Supko’s “s_traits” | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: Ryan Streber’s “Concentric” | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: February 5-10 | SECOND INVERSION
Pingback: ALBUM OF THE WEEK: Jessica Meyer’s “Sounds of Being” | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: February 13-15 | SECOND INVERSION
Pingback: ALBUM REVIEW: the ground beneath our feet | SECOND INVERSION
Pingback: ALBUM REVIEW: Yolanda Kondonassis and Jason Vieaux’s “Together” | SECOND INVERSION
Pingback: ALBUM REVIEW: “MONTAGE: Great Film Composers and the Piano” | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: March 6-9 | SECOND INVERSION
Pingback: ALBUM REVIEW: Michael Gordon’s “Dystopia” | SECOND INVERSION
Pingback: ALBUM REVIEW: Ólafur Arnalds’ “The Chopin Project” | SECOND INVERSION
Pingback: LIVE CONCERT SPOTLIGHT: March 25-30 | SECOND INVERSION
Pingback: SXSW 2015: ATX Composers Showcase | SECOND INVERSION
Pingback: ALBUM REVIEW: Missy Mazzoli’s Vespers for a New Dark Age | SECOND INVERSION