A home for new and unusual music from all corners of the classical genre, brought to you by the power of public media. Second Inversion is a service of Classical KING FM 98.1.
To many people, the cello is the most human of all musical instruments. Similar in range and timbre to the human voice and held closely against one’s body, the cello is known for its rich, warm tone and deeply intimate, expressive musical voice.
But the Northwestern University Cello Ensemble takes that analogy one step further: their new album Shadow, Echo, Memory on Sono Luminusfeatures an entire choir of cellos performing contemporary works arranged and written for cello ensemble—some of which were originally conceived as vocal compositions.
In anticipation of the new album, which is out July 29 and available for pre-order now, we’re thrilled to present the premiere of the ensemble’s brand new video for composer Zachary Wadsworth’s mysterious and ethereal “Three Lacquer Prints”:
The original choral composition takes its lyrics from Amy Lowell’s Lacquer Prints: a series of poems inspired by Japanese Ukiyo-e woodblock prints. Like Lowell’s poems, Wadsworth’s musical setting paints a picture of these printed scenes, with each movement wordlessly conveying its own vibrant and dynamic musical ideas.
Shadow, Echo, Memory is the debut album of the NU Cello Ensemble, a group comprised of current and former cello students at Northwestern University’s Bienen School of Music. Led by cello professor Hans Jørgen Jensen, the group performs and records works by classical and contemporary composers.
by Maggie Stapleton Skylark is a professional chamber choir of world-class musicians with a passion for small ensemble performance and their new album, Crossing Over, demonstrates a strong dedication to music composed in the 20th and 21st centuries.
To celebrate its March 25 release on Sono Luminus, we’re excited to present the video premiere of Anna Thorvaldsdottir’s gorgeous, evocative, and other-worldly setting of an ancient Icelandic psalm: Heyr þú oss himnum á.
Skylark: Crossing Over Matthew Guard, Skylark Artistic Director [1] Elegy by Daniel Elder (b. 1986) [4:16] [2-9] Butterfly Dreams by John Tavener (1944-2013) [12:13] [10] Otche Nash by Nicolai Kedrov (1871-1940) [2:03] [11] Requiem by Jón Leifs (1899-1968) [4:41] [12] Heliocentric Meditation by Robert Vuichard (b.1985) [9:12] [13-15] Carols of Death by William Schuman (1910-1992) [9:42] [16] Heyr þú oss himnum á by Anna Thorvaldsdottir (b. 1977) [4:27] [17] Funeral Ikos by John Tavener [5:55]
Skylark is a premiere a cappella vocal ensemble of leading American vocal soloists based in Atlanta and Boston. Formed in 2011 by Artistic Director Matthew Guard, Skylark has been described as “a gem… soloists who come together to create a dynamic and inspiring whole” (ArtsATL). Skylark strives to set the standard for innovative, engaging, well-researched, and dramatically presented programs that re-define the choral experience for audiences and singers alike. Since its founding five years ago, Skylark has branched out to perform its innovative programs in museums, concert halls, and churches in six states. In 2015, Skylark became one of the only chamber choirs in the U.S. to successfully perform Francis Poulenc’s Figure Humaine. In 2016, Skylark will make its Spivey Hall debut with a chamber performance of Rachmaninov’s All-Night Vigil. Skylark Artists have performed with other internationally renowned groups including Blue Heron, The Handel & Haydn Society, Lorelei, The Pheonix Chorale, Sante Fe Desert Chorale, Seraphic Fire, Trinity Wall Street and the Yale Choral Artists. A not-for-profit entity, Skylark also performs educational outreach programs with high school students in Atlanta and Boston and across the U.S. during its concert tours.
Photo: Saga Sigurdardottir
Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials, reflecting her sense of imaginative listening to landscapes and nature. Her music tends to portray a flowing world of sounds with an enigmatic lyrical atmosphere.
Anna’s music is frequently performed internationally, and has been featured at several major venues and music festivals such as Lincoln Center’s Mostly Mozart Festival in NYC, the Composer Portraits Series at NYC’s Miller Theatre, ISCM World Music Days, Nordic Music Days, Ultima Festival, Klangspuren Festival, Beijing Modern Music Festival, Reykjavik Arts Festival, Tectonics, and the Kennedy Center in Washington DC. Her works have been nominated and awarded on many occasions – most notably, Anna is the recipient of the prestigious Nordic Council Music Prize 2012 for her work Dreaming, and The New York Philharmonic’s Kravis Emerging Composer Award.
Some of the orchestras and ensembles that Anna has worked with include International Contemporary Ensemble (ICE), BIT20, Musiques Nouvelles, the Iceland Symphony Orchestra, Yarn/Wire, BBC Scottish Symphony Orchestra, the CAPUT Ensemble, the Oslo Philharmonic, and Either/Or Ensemble.
Anna holds a PhD from the University of California in San Diego.
