LIVE CONCERT SPOTLIGHT: December 18-21

by Maggie Molloy

This week’s concert calendar features marching bands, Mark O’Connor, and many more Northwestern musicians!


 
Seattle Rock Orchestra Performs New Works

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The Pacific Northwest is known for its beautiful mountains, its gorgeous coast, its cool climate, and its commitment to the environment—but it is also known for its rich and unique musical culture, which spans everything from folk to grunge to punk, rock, indie, and even classical.

This Thursday, Seattle Rock Orchestra is honoring the Pacific Northwest’s latest contributions in contemporary music with the third installment in its New Works series. The program features chamber orchestra works by several PNW composers, including Iain Emslie, Willow Goodine, Whitney Lyman, Aaron Otheim, Wes Price, Michaud Savage, and Emily Westman.

The concert will also feature special guest singer Tamara Power-Drutis, a Seattle-based singer-songwriter with a background in indie, folk, classical, and Irish traditional music.

The performance is this Thursday, Dec. 18 at 8 p.m in the Chapel Performance Space at the Good Shepherd Center in Wallingford.


 
MarchFourth Marching Band at the Historic Everett Theater

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A lot of marching bands tend to blend together—the loud, brassy music, the synchronized marching, the ill-fitting uniforms…If you’ve seen one, you’ve seen them all, right? Wrong.

MarchFourth Marching Band is a multidisciplinary music group which combines the classic marching band aesthetic with elements of funk, rock, and jazz. Known as M4 to its fans, the 15- to 20-piece group features percussion corps, brass, funky electric bass, guitar, and even vocals.

The band is known for its DIY ethic. M4 proudly writes and arranges all of its own musical material, designs its own unique marching band costumes, and even creates its own choreography. (Sorry, did I forget to mention that their performances include dancers, stilt walkers, and acrobatics?)

M4 will be marching through Everett this weekend as part of their nationwide tour. They will be performing at the Historic Everett Theater on Friday, Dec. 19 at 7:30 p.m.


 
Nat Evans’ “The Lowest Arc”


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Winter solstice is typically never as widely celebrated as summer solstice—but this year Seattle composer Nat Evans is brightening up the darkest day of the year with a unique new outdoor site and time specific sound installation.

The piece, titled “The Lowest Arc,” will be installed this upcoming Sunday for an indeterminate exhibition period at ALL RISE. The piece is written for six speakers, each with music inspired by different natural elements. On this Sunday night only, performers will join in the sound sculpture with custom music boxes that produce an aural translation of the constellations visible from Earth during winter. Evans determined the specific music notes by superimposing the constellations on a traditional musical staff.

This aleatoric performance exploring the limits of sound and space will take place this upcoming Sunday, Dec. 21 from 4-5:30 p.m. at the ALL RISE site located at 1250 Denny Way, Seattle.


 
Mark O’Connor’s “An Appalachian Christmas”

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Grammy award-winning violinist Mark O’Connor is coming home for the holidays this year. Though his multifaceted music career has led him all over the world, this week he is returning to Seattle with his band to share an evening of holiday music from his album, “An Appalachian Christmas.”

“Growing up in the O’Connor musical household, Christmas time was a wondrous mixture of Christmas carols, fiddling, bluegrass and other traditional American music,” said O’Connor. “And that is the spirit of ‘An Appalachian Christmas.’”

The concert is this Sunday, Dec. 21 at 7 p.m. at the University of Washington’s Meany Hall for the Performing Arts.

LIVE CONCERT SPOTLIGHT: December 10-13

by Maggie Molloy

Ethereal Christmas carols and a sensational clarinetist are just two of the events on this week’s captivating music calendar.

Joshua Roman with the Seattle Symphony

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Cellist Joshua Roman first stole Seattle’s heart when he became the youngest principal player in Seattle Symphony history at age 22. Though he left the position after two years to pursue a remarkably diverse solo career, he still visits Seattle frequently to perform and to serve as the artistic director of the Town Hall TownMusic series.

In his latest musical venture, Roman is heading back to Benaroya Hall to perform the world premiere of symphonic composer Mason Bates’ Cello Concerto. The piece, which was written for Roman, combines melodic lyricism with elements of modernism and jazz. The concerto has a distinctly American character, and its pulsing rhythms are suggestive of Bates’ experiments in electronic music.

The concert will also feature Prokofiev’s Suite from “Lieutenant Kijé” and selections from Tchaikovsky’s “Sleeping Beauty.”

The performances are at Benaroya Hall this Thursday, Dec. 11 at 7:30 p.m., Friday, Dec. 12 at 12 p.m., and Saturday, Dec. 13 at 8 p.m. A pre-concert talk will be presented one hour prior to each performance.

 

Sean Osborn

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The clarinet has the largest pitch range of all common woodwind instruments—and Seattle clarinetist and composer Sean Osborn is proving that it might also be one of the most musically versatile.

Osborn is a critically acclaimed clarinetist whose music combines extended clarinet techniques with rock music energy for a sound that incorporates post-minimalism, New Age, Celtic, folk, and many other musical styles. This Wednesday, he is presenting four new works of chamber music for unusual instrumentation, including a sextet for flute, clarinet, violin, cello, piano, and percussion as well as three new pieces for violin, clarinet, cello, and piano. He will also perform one solo clarinet work.

The performance is this Wednesday, Dec. 10 at 7:30 p.m. at the Chapel Performance Space at the Good Shepherd Center in Wallingford.

 

Phil Kline’s “Unsilent Night”

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If you’re sick of classic Christmas carols, perhaps Phil Kline’s “Unsilent Night” might be a little more your style. This contemporary twist on holiday caroling is celebrated annually around the globe. But don’t worry, there’s no singing involved—all you have to do is download an app.

Kline’s “Unsilent Night” is an electronic composition written specifically for outdoor performance in December. Participants each download one of four tracks of music which, when played together, comprise Kline’s ethereal “Unsilent Night.”

Countless participants meet up with boomboxes, speakers, or any other type of portable amplifiers and each hit “play” at the same time. Then they walk through the city streets creating an ambient, aleatoric sound sculpture that is unlike any Christmas carol you have ever heard.

The interweaving of electronic recordings creates an experimental soundscape full of shimmering bells and time-stretched hymnal melodies, capturing the magic and enchantment of the holiday spirit without any of the corny Christmas classics.

Seattle’s rendition of Phil Kline’s “Unsilent Night” will take place this Saturday, Dec. 13. The procession begins at 5 p.m. at On the Boards’ Merrill Wright Mainstage Theater Lobby in Lower Queen Anne.

 

People. Make. Awesome. (Music + Moving Image)

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Why limit yourself to just music when you can combine it with other artistic disciplines? Earlier this season we saw the Frank Agency and Nonsquitur present a series of artistic pairings rooted in music and sound, then music and dance as part of their three-part series “People. Make. Awesome.” Now, for the series’ final installment they are exploring the possibilities of music and moving image.

The featured artists are experimental animator and performance artist Stefan Gruber, composer and videographer Leo Mayberry, video editor and multimedia artist Melissa Parson, composer and trumpeter Samantha Boshnack, guitarist Jason Goessl, and multi-instrumentalist and vocalist Jessica Lurie. With so many diverse artists in one place, it’s sure to be an awe-inspiring performance.

“People. Make. Awesome.” will take place this Thursday, Dec. 11 at 8 p.m. in the Chapel Performance Space at the Good Shepherd Center in Wallingford.

LIVE CONCERT SPOTLIGHT: December 4-7 (appended!)

by Maggie Molloy

This week’s music calendar has everything from Christmas classics to electroacoustic space travel!

Zero-G: Triptet + Dempster & Smith

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Triptet is an imaginative electro-infused trio whose music is out of this world—literally. The group’s electroacoustic music combines classical instruments with electronics to create a truly otherworldly sound.

Triptet is composed of Tom Baker on fretless guitar, theremin, and laptop, Michael Monhart on saxophones, laptop, and percussion, and Greg Campbell on drums, percussion, French horn and budget electronics. Their music is inspired by their shared interest in musical space travel, as well as their admiration for the prolific jazz composer, poet, and philosopher Sun Ra.

Triptet will perform this Friday, Dec. 5 at 8 p.m. in the Chapel Performance Space at the Good Shepherd Center in Wallingford. They will be joined by clarinetist Bill Smith and trombonist Stuart Dempster for their second set.


 
The Saddest Holiday Concert Ever!

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Embrace the Christmas nostalgia head-on this weekend with a performance of the season’s saddest, sappiest, most sentimental Christmas classics.

“The Saddest Holiday Concert Ever!” features a vocalist and two 14-string lutists performing sappy classics from across the centuries. The concert features Baroque masterpieces by Handel and Merula, old-fashioned Americana tunes, new music by Seattle-based composer Aaron Grad, and contemporary classics from Judy Garland, Joni Mitchell, and Elvis Presley. And of course, no sentimental holiday concert would be complete without music from “A Charlie Brown Christmas.”

The concert is this Sunday, Dec. 7 at 7:30 p.m. at Queen Anne Christian Church.

 

Portland Cello Project’s Holiday Spectacular

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Nothing says Christmas quite like a charming chorus of cellos.

This weekend the genre-bending Portland Cello Project is coming up to Seattle to share an evening of holiday classics in their “Holiday Spectacular” concert. The cellists will be joined by special guest Ural Thomas and the Pain. Thomas is a Portland-based soul singer who once shared the stage with the likes of Otis Redding and James Brown, and the Pain is his nine-piece band of young, soulful Portlanders. Seattle composer Nat Evans’ Music for Cello Ensemble with Tea Soloist will be a warm, intriguing offering on this program.

The concert is this Sunday, Dec. 7 at 7:30 p.m. at Benaroya Hall’s Illsley Ball Nordstrom Recital Hall.

 

My Brightest Diamond at the Crocodile

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Not many musicians can shine in both classical and art-rock musical settings—but Shara Worden is a sparkling star no matter what she’s playing. Her avant-garde rock music project, My Brightest Diamond, combines her operatic vocal training and classical composition studies with a theatrical performance art aesthetic.

Next weekend My Brightest Diamond is bringing some glitter and grace to Seattle with a show at the Crocodile. The show is part of a U.S. tour in support of her new album, “This is My Hand,” which was released this past September. The album combines elements of opera, cabaret, chamber music, rock, and even electronic, drawing from Worden’s many multifaceted musical endeavors over the course of her career.

The concert is next Saturday, Dec. 6 at the Crocodile at 8 p.m.

 

Ahamefule Oluo’s “Now I’m Fine” at On the Boards

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Brighten up one of those dreary Seattle nights with a trip to “Now I’m Fine,” a multidisciplinary music event combining comedy with classical music.

“Now I’m Fine” is an experimental pop opera about holding it together, starring comedian, musician, and storyteller Ahamefule Oluo. The performance draws from his personal stories about illness, sorrow, hope, and other emotions and experiences to which all of us can relate. Unlike the rest of us, though, Oluo tells these personal stories with the help of a 17-piece orchestra and a fantastic cast of performers.

The stories range from tragic to triumphant, travelling through the happy, the sad, and even the awkward. The result is a theatrical production filled with laughter, life lessons, and a lot of beautiful music.

The show runs Dec. 4-7 at On the Boards’ Merrill Wright Mainstage Theater. Shows are at 8 p.m. Thursday through Saturday and 5 p.m. on Sunday.

 

The Esoterics’ Irving Fine Centennial

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Prepare to fall down the rabbit hole next weekend when the Esoterics bring to life poetry from Lewis Carroll’s “Alice in Wonderland.”

The Seattle-based vocal ensemble is performing neoclassical composer Irving Fine’s musical settings of six poems from “Alice in Wonderland” as part of a larger performance commemorating his 100th birthday. But that’s not all—they will also perform essentially all of Fine’s other choral works, including his poignant “Hour Glass,” his witty and virtuosic “Choral New Yorker,” his musical setting of the Yiddish poem “An Old Song,” and much more.

The performances are Friday, Dec. 5 at St. Stephen’s Episcopal Church at 8 p.m., Saturday, Dec. 6 at All Pilgrims Christian Church at 8 p.m., and Sunday, Dec. 7 at Holy Rosary Catholic Church at 3 p.m.

 

NEW CONCERT RECORDING: Seattle Modern Orchestra’s “Electro-Colors”

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[photo credit: Amy Bowen]

Second Inversion is pleased to present the audio from Seattle Modern Orchestra’s 2014-15 season opener, Electro-Colors, featuring the US premiere of Huck Hodge’s Alêtheia!

Participating Musicians:

Paul Taub, flute
Daria Binkowski, flute
Angelique Poteat, clarinet
Rachel Yoder, clarinet
Melanie Voytovich, percussion
Becca Baggenstoss, percussion
Bonnie Birch, accordion
Cristina Valdes, piano
Mayumi Tayake, piano
Eric Rynes, violin I
Kimberly Harrenstein, violin II
Rose Bellini, cello
Mary Riles, cello

Be sure to check our live concert archive for more live performances, and stay tuned for more upcoming Seattle Modern Orchestra performances!

LIVE CONCERT SPOTLIGHT: December 4-7

by Maggie Molloy

These artists are spicing up the December music calendar with everything from comedy to cabaret to neoclassicism and more!

Ahamefule Oluo’s “Now I’m Fine” at On the Boards

Ahamefule-5329 by Kelly O_smaller_1

Brighten up one of those dreary Seattle nights with a trip to “Now I’m Fine,” a multidisciplinary music event combining comedy with classical music.

“Now I’m Fine” is an experimental pop opera about holding it together, starring comedian, musician, and storyteller Ahamefule Oluo. The performance draws from his personal stories about illness, sorrow, hope, and other emotions and experiences to which all of us can relate. Unlike the rest of us, though, Oluo tells these personal stories with the help of a 17-piece orchestra and a fantastic cast of performers.

The stories range from tragic to triumphant, travelling through the happy, the sad, and even the awkward. The result is a theatrical production filled with laughter, life lessons, and a lot of beautiful music.

The show runs Dec. 4-7 at On the Boards’ Merrill Wright Mainstage Theater. Shows are at 8 p.m. Thursday through Saturday and 5 p.m. on Sunday.

 

The Esoterics’ Irving Fine Centennial

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Prepare to fall down the rabbit hole next weekend when the Esoterics bring to life poetry from Lewis Carroll’s “Alice in Wonderland.”

The Seattle-based vocal ensemble is performing neoclassical composer Irving Fine’s musical settings of six poems from “Alice in Wonderland” as part of a larger performance commemorating his 100th birthday. But that’s not all—they will also perform essentially all of Fine’s other choral works, including his poignant “Hour Glass,” his witty and virtuosic “Choral New Yorker,” his musical setting of the Yiddish poem “An Old Song,” and much more.

The performances are Friday, Dec. 5 at St. Stephen’s Episcopal Church at 8 p.m., Saturday, Dec. 6 at All Pilgrims Christian Church at 8 p.m., and Sunday, Dec. 7 at Holy Rosary Catholic Church at 3 p.m.

 

My Brightest Diamond at the Crocodile

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Not many musicians can shine in both classical and art-rock musical settings—but Shara Worden is a sparkling star no matter what she’s playing. Her avant-garde rock music project, My Brightest Diamond, combines her operatic vocal training and classical composition studies with a theatrical performance art aesthetic.

Next weekend My Brightest Diamond is bringing some glitter and grace to Seattle with a show at the Crocodile. The show is part of a U.S. tour in support of her new album, “This is My Hand,” which was released this past September. The album combines elements of opera, cabaret, chamber music, rock, and even electronic, drawing from Worden’s many multifaceted musical endeavors over the course of her career.

The concert is next Saturday, Dec. 6 at the Crocodile at 8 p.m.