PHOTO GALLERY: Second Inversion Showcase at NW Folklife Festival

by Maggie Molloy

Here in Seattle, we pride ourselves on our imaginative and innovative new music scene. Second Inversion is proud to be a part of that community, where so many hard-working and creative artists and musicians come together to create, support, and share new and unusual sounds from around the Pacific Northwest and beyond.

This past weekend, we came together to celebrate these sounds in our 2nd annual
Second Inversion Showcase at the Northwest Folklife Festival, which featured performances by the bi-coastal brass quartet The Westerlies, the innovative and always-interactive Skyros Quartet, and the boundary-bursting Sound of Late.

All photos by Maggie Molloy.

We would like to give a tremendous THANK YOU to everyone who came out to support new music over the weekend, both as performers and as audience members. Together, we make the Northwest new music something truly special.

New Music Concerts: June 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like your concert included on an upcoming flyer drop us a line at least 6 weeks prior to the event.

Program Insert - June 2016 onesided (updated)

Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-15

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UW Sound Lab
Students present their explorations into experimental sound, theater and audio design, led by Associate Professor of Composition, Huck Hodge.
Sat, 6/4, 7:30pm, Brechemin Auditorium, UW School of Music | Free
music.washington.edu/events

4 & 5
Bellevue Chamber Chorus & Dunava: Bridges of Song
Experience human connections with this festival of folk music from around the world with delightful songs arranged by Tormis, Holst, Copland.
Sat, 6/4, 7:30pm, St. Luke’s Lutheran, Bellevue | $5-$20
Sun, 6/5, 3pm, Maple Leaf Lutheran | $5-$20

4 & 5
NOCCO: Chamber Dances
Join the North Corner Chamber Orchestra for their season finale, featuring Joan Tower’s Chamber Dances.
Sat, 6/4, 2pm, University Unitarian Church | $13-$30 (under 18: FREE)
Sun, 6/5, 8pm, Royal Room | $13-$30 (under 18: FREE)

4 & 5
sound|counterpoint: Red Earth Project
Early music favorites, a re-imagining of a solo violin sonata by Bach, tunes from jazz and rock greats, and premieres of two new works for period instruments.
Sat, 6/4, 7:30pm, Queen Anne Christian Church | $25
Sun, 6/5, 2pm, St. Paul’s Episcopal Church | $20

5
Mostly Nordic: Winds of Change – The Icelandic Spirit
Brother and sister team Saeunn and Skuli bring Icelandic spirit to this program with arrangements of Icelandic folk songs and new works by Skuli.
Sun, 6/5, 4pm, Nordic Heritage Museum | $30-$60

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Wayward Music presents Cursive: Black Anemones
Cursive seeks to perform great, unknown modern works with a modular ensemble. This performance features masterworks by Schulhoff, Fine, Schwantner, & more.
Thurs, 6/9, 8pm, Good Shepherd Chapel | $5-$15

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Seattle Modern Orchestra: Discrete Infinity
SMO presents the US Premiere of Anthony Cheung’s Discrete Infinity along with Gérard Grisey’s Periodes & Claude Vivier’s Samarkand.
Sat, 6/11, 8pm, Good Shepherd Chapel | $10-$20

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Washington Wind Symphony
WWS presents Samuel Hazo’s Ride, Karel Husa’s Music for Prague 1968, Grainger’s Molly on the Shore, Alfred Reed’s Armenian Dances, & more!
Sun, 6/12, 2pm, Kirkland Performance Center | $6-$16

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Seattle Rock Orchestra: Beach Boys Tribute
SRO pays homage to “America’s Band,” with selections from the 1966 album Pet Sounds & a plethora of their surfing and hot rod inspired hits.
Sat, 6/18, 8pm, Kirkland Performance Center | $40

Various
Seattle Symphony: TUNING UP!
Join SSO for 9 concerts over 2 weeks to celebrate American music from Gershwin’s swing to the Alaskan “sonic geography” of John Luther Adams.
Fri, 6/17, 8pm, Benaroya Hall | $25 “Rhapsody in Red, White & Blue”
Mon, 6/20, 7:30pm, Nordstrom Recital Hall | $25 “The Theremin Returns”
Thu, 6/23, 7:30pm, BH | $25 “From Appalachian Spring to the Red Violin”
Fri, 6/24, 7:30pm, NRH | $25 “Great American Chamber Music”
Sun, 6/26, 4pm, Marymoor Park, Redmond | $25 & up “SSO Plays Gershwin”
Wed, 6/29, 7:30pm, NRH | $25 “Triadic Memories: A Minimalist Masterpiece”
Fri, 7/1, 10pm, Stroum Grand Lobby | $15 “[untitled] 3: In the White Silence”
Sat, 7/2, 8pm, BH | $25 “The Symphony in Hollywood”

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Inverted Space: Geoges Aperghis (Long Piece Fest)
Inverted Space’s season finale features Aperghis’s long dramatic work for actor and eclectic ensemble, including saxophone, accordion and video.
Tues, 6/28, 8pm, Good Shepherd Chapel | $5-$15

CONCERT PREVIEW: Q&A with Joan Tower

by Maggie Molloy

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When you’re a chamber musician, you have to know how to dance.

You have to be able to communicate directly with the other players through music and movement. You have to move together and apart, support each other’s parts, and make each other shine; you have to work together to tell a cohesive story without stepping on each other’s feet.

This notion of musicians as dancers was the inspiration behind Grammy Award-winning composer Joan Tower’s Chamber Dance, a piece which is being performed in Seattle this weekend by the North Corner Chamber Orchestra (NOCCO) in their 2015-2016 season finale.

The piece maximizes the chamber orchestra’s textural and timbral palette by weaving through a rich and colorful tapestry of solos, duets, small ensembles, and full ensemble—each instrument serving as just one small part of the larger dance.

NOCCO will also perform Haydn’s Violin Concerto in C Major, featuring violinist Elisa Barston as the soloist, and the NOCCO Winds will join forces with cellist Eli Weinberger and bassist Ross Gilliland to perform Dvořák’s Serenade for Winds, Cello, and Double Bass in D Minor.

Dance on over to Seattle this weekend to get in on the action! In the meantime, we sat down with the woman of the hour, Joan Tower, to find out more about what we can expect at this concert:

Second Inversion: What was the inspiration behind Chamber Dance?

Joan Tower: Having been a chamber music pianist for a long time with the Da Capo Chamber Players, a group I founded in 1972, I was immediately impressed with how Orpheus (the conductorless group for which I wrote Chamber Dance) was actually a large chamber group that interacted the way a smaller chamber group would: through an elaborate setup of sectional leaders who were responsible for the score. An amazing feat accomplished over years of trials and errors—and an amazing ensemble indeed.

SI: How is this piece similar to and/or different from your other compositions? 

JT: It’s similar in structure to many of my chamber pieces, but different in that the solos get surrounded by larger forces within a bigger “palette.”

SI: What composers, artists, or styles of music most influence your work? 

JT: Many different styles of music have influenced my work: I grew up in South America surrounded by all the Latin music of that culture; was trained as a pianist in the European Bach, Haydn, Beethoven, Chopin, etc. model; married a jazz pianist who introduced me to all the greats at that time in NYC; and I formed my own group the Da Capo Players who performed the music of many living composers of that time (1972-1987). My biggest influences were Beethoven, Stravinsky, Messiaen, Pärt, Adams, Monk, Evans and lots of popular Latin music.

SI: Three out of the four NOCCO programs this season feature American women composers’ works. Why do you think this is a significant programming decision?

JT: Because it is rarely done, and women make up less than 5 percent of all classical programing—which still is a statistical problem. I am happy to see some visionary conductors find the right music and go for it.

SI: What do you hope audiences will take away from listening to your Chamber Dance?

JT: A memory of some kind, I hope. 

Performances are Saturday, June 4 at 2 p.m. at University Unitarian Church in Seattle and Sunday, June 5 at 8 p.m. at the Royal Room in Columbia City. For additional information and tickets, visit NOCCO.org.

2016 FOLKLIFE PREVIEW: Meet Sound of Late

by Maggie Molloy

For many artists, water is a muse—for some, it is the very essence of music itself.

In Seattle, we awake and fall asleep to the gentle swooshing of Sound, and our lives are shaped and smoothed by its sparkling presence. For us, water is a source of comfort and relaxation, inspiration and even transportation.

Water

And so this Friday, we invite you to paddle on over to our annual Second Inversion Showcase at the Northwest Folklife Festival, where you can dive into the underwater sound world of Sound of Late.

Based in Seattle and Portland, Sound of Late is a new music ensemble known for creating collaborative, cross-disciplinary concerts which build upon and inspire the communities surrounding them. Most recently, they presented a maritime music series titled “What Water Knows,” featuring shimmering, ocean-inspired music alongside music and poetry of marine biologists and commercial fishers.sol-grp300x210

But in case you missed it, no need to feel blue. Lucky for us, they’ve, ahem, distilled their water-themed program into a shorter set as part of our Folklife Festival Showcase, where they’ll be performing along with the Skyros Quartet and the Westerlies.

We caught up with Sound of Late’s horn player Rebecca Olason to talk about water, whale songs, and the Pacific Northwest:

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Second Inversion: How would you describe or characterize your ensemble’s sound?

Rebecca Olason: Sound of Late primarily plays works by living composers, but our sound is fairly diverse. We might play works that are within the serialist tradition in one concert and folk inspired music in the next. Our set for this concert has a mix of music inspired by water, featuring a local folk singer, a work by a marine biologist (who is also a rock musician), and a piece inspired and imitative of whale song. We try to represent the variety of styles and sounds that are present in contemporary chamber music.

SI: The Pacific Northwest is really blossoming in the contemporary classical music sphere—what do you think makes our music scene here so unique?

RO: Having lived on the East and West coasts, I feel that the Pacific Northwest scene is unique because in many ways it is impossible to participate without being an innovator. To play contemporary classical music here, you have to be a risk-taker, and a person who will find a path where there wasn’t one before. It is more difficult to find a way to present your music as there are fewer new music venues, presenters, and groups.

The challenges of creating music here are a catalyst for the vibrancy, inventiveness, and passion of the community, which are also reflected in programming and actual musical style. Most contemporary classical groups are willing to make mistakes, and to take risks, but I feel that this is especially true of our community in the Pacific Northwest.

SI: Northwest Folklife strengthens local communities through art and music, celebrating diverse cultural heritages and working to ensure their continued growth and development. What types of communities or music traditions are represented in your music?

RO: The bulk of Sound of Late’s current repertoire is contemporary classical, though we often collaborate with other communities, and love to play improvisational music. This concert is inspired by and features maritime folk music.

SI:  As a Seattle-based ensemble, what does the annual Northwest Folklife Festival mean to you?

RO: We are a newly Seattle-based chamber group, so Folklife represents a new future in this amazing city for us!  The festival strikes me as one of the greatest celebrations of musical talent in the area from a broad stroke of traditions, and I am so honored and excited to be a part of it!

SI: What are you most looking forward to with this performance, and what do you hope audiences will gain from it?

RO: I am looking forward to the chance to distill our last concert series into a quick, yet captivating show. We performed a series of concerts full of music inspired by water featuring music by contemporary classical composers, scientists, and fishers. What I really liked about these concerts was how many different experiences and musical traditions we were able to feature, so we tried to represent that variety in our small set. I hope that our audience will be inspired by our music, and contemplative of their own experience with water.

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Sound of Late will be featured along with the Skyros Quartet and The Westerlies at our 2nd Annual Second Inversion Showcase at Folklife on Friday, May 27 at 8 p.m. For more information, please click here or RSVP to our Facebook event.

LIVE VIDEO STREAM: Town Music at Town Hall Season Finale

Tonight at 7:30pm (PST), join us for a live video stream from Town Hall, featuring our Artistic Advisor, Joshua Roman along with violinists Johnny Gandelsman & Arnaud Sussman, violist Kyle Armbrust, and pianist/composer Andrius Žlabys!

In the meantime, be sure to read our Q&A between Joshua Roman and Andrius Žlabys about his world premiere, A Movement for String Quartet and Piano.

The program also includes Benjamin Britten’s String Quartet No.2 and Shostakovich’s Piano Quintet in G minor, Op.57. We’ll be streaming the audio on our 24/7 channel, too!

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And also to tide you over, here’s a sneak peek of the Britten from a rehearsal last week!

If you’re still waiting for the broadcast to begin, hop over to our 24/7 stream to hear our eclectic mix of new music!