Second Inversion hosts share a favorite selection from their weekly playlist. Tune in on Friday, April 28 to hear these pieces and plenty of other new and unusual music from all corners of the classical genre!
Shara Nova: You Us We All (Zosima)
Performed with Baroque Orchestration X
In recent years there’s been a notable resurgence of Baroque forms and instruments in contemporary classical music—but nowhere so convincingly as in Shara Nova’s Baroque chamber pop opera You Us We All.
This colorful court masque tells the story of five allegorical characters searching for meaning in the modern age, traversing through corny fan letters and cornetto solos, broken hearts and Baroque instruments all along the way.
Nova’s lustrous vocals sparkle in the leading role of Hope, alongside a small but mighty cast of singers who play Virtue, Love, Time, and of course, Death. Baroque Orchestration X provides a clean and courtly backdrop on period instruments, with some more modern percussion (typewriter, anyone?) thrown in for a 21st-century spin. All in all, it’s the perfect marriage of old and new: antique instruments, modern music, timeless themes—and just a dash of existentialism. – Maggie Molloy
Tune in to Second Inversion in the 2pm hour today to hear an excerpt from this piece.
Béla Fleck and Mike Marshall: “The Big Cheese” (Sony Classical)
Here in Seattle, it FINALLY feels like spring has arrived… after a record-breaking-ly soggy winter (look it up). Still, I’ve been feeling some hesitation to go outside and reconnect with the glowing orb in the sky. If you, like me, could use a kick in the pants to “get out there,” this track could just do the trick. The lithe Appalachian flavors here are mixed with some decidedly more square music by English Renaissance composer William Byrd. Perfect!
– Seth Tompkins
Tune in to Second Inversion in the 3pm hour today to hear this piece.
Patrick Laird: “Che”
Performed by Break of Reality
Break of Reality is the ultimate “don’t usually like classical but I love this” band. They brand themselves as “cello rock” and it’s a fitting description as even my punk-rock-playing drummer dad would feel at home in this music. With fierce cellos and intense percussion, “Che” is a passionate, almost violent, exploration of anger and fear. If you’re looking for a unique classical experience, this is your stop.
– Rachele Hales
Tune in to Second Inversion in the 6pm hour today to hear this piece.
Julia Wolfe: Early that summer (Innova Records)
Performed by ETHEL
Boy, this is a crunchy piece. Wolfe uses dissonance throughout this ostinato-filled string quartet to propel the energy along, creating an unfolding sense of conflict. It makes sense: she composed the work while reading a book on American political history, where seemingly small incidents (often introduced in the book with the phrase “early that summer”) would snowball into major political crises. This piece was composed in 1992, but it still represents some music that instead of shying away from the dissonance of our current political climate, dives fully in and revels in it. – Geoffrey Larson
Tune in to Second Inversion in the 9pm hour today to hear this piece.