WEST COAST SPOTLIGHT: Carlsbad Music Festival

by Maggie Stapleton

Beer garden, food trucks, adventurous music by the beach? Yes, please, all of it.

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That’s what you’ll get at the Carlsbad Music Festival, the brainchild of Matt McBane: a 3-day summer music festival in his hometown of Carlsbad, California. McBane is no stranger to Second Inversion listeners and blog readers, who have undoubtedly heard his compositions recorded by Build and the Jake Schepps Quintet on our 24/7 stream. He’s twice been featured on our regular “Staff Picks,” blog posts for pieces “imaginary winter” and “On and On and”. This year’s festival is happening this weekend, August 26-28 with over 60 shows!

With an eye toward embracing the entire west coast a bit more, we have a snapshot of our wish-we-could-be-there picks for CMF, whose programming is very well aligned with Second Inversion’s: an eclectic mix of creative and adventurous music ranging from contemporary classical, to indie rock, to world music, to electronic, to jazz, to musicians who work across genres and fall between the cracks.If you’re in the vicinity of Carlsbad, get yourself there over the weekend to catch one of these fantastic performances!

MATT MCBANE AND FRIENDS: Friday, August 26, 7:00-7:30pm

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Festival Founder and composer/violinist Matt McBane and friends perform his critically-acclaimed suite of compositions for bluegrass string band, “Drawn.” concert program and more info

“a natural composer, a fresh voice and, from the evidence of his festival, a first-rate organizer with a broad range of musical interests” -Los Angeles Times


WILD UP perform FUTURE FOLK: Friday, August 26, 8:00-9:15pm

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Modern music collective slash chamber orchestra wild Up creates a communal concert of sound/noise/experience that celebrates old-world ways of living in the modern era. Featuring works by Meredith Monk, Julius Eastman, members of the ensemble and more. concert program and more info

“All the performances, led by Rountree, were exceptional, the ensemble turning on an astonishing stylistic dime.” -Los Angeles Times


LA PERCUSSION QUARTET: Saturday, August 27, 5:00-6:00pmdownload

Grammy-nominated LA Percussion Quartet performs newly commissioned music by Ellen Reid, Daniel Bjarnason, Kevin Volans, and a west-coast premiere by Matt McBane for triangle quartet. concert program and more info

“mesmerizing.., colorful, atmospheric and…supremely melodic music.” -New York Times


HOCKET: Sunday, August 28, 1:00-2:00pm

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LA-based contemporary piano duo HOCKET comprised of composer-pianists Sarah Gibson and Thomas Kotcheff, performs recent works written for the group including world premieres by Alexander Elliott Miller and Michael Laurello, plus their arrangements of Aphex Twin’s Avril 14th and Nanou 2, concert program and more info

“Their teamwork was exemplary, their playing was a delight… They not only showed a commitment to the music, but to communicating with each other.” -San Diego Union-Tribune


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Matt McBane

“a natural composer, a fresh voice and, from the evidence of his festival, a first-rate organizer with a broad range of musical interests” -Los Angeles Times

Matt McBane founded the Carlsbad Music Festival in his hometown of Carlsbad in 2004. In addition, he is a composer whose music ranges from visceral rhythms and complex grooves to delicate melodies and rich textures, freely and intuitively incorporating a wide array of influences including: minimalism, avant pop, experimentalism, European classical music, art rock, jazz, film music, fiddle music and electronic music. He is the composer and violinist for his band Build which received widespread critical acclaim for its two albums (Place 2011 and Build 2008) on New Amsterdam Records. In 2015 his 5 movement suite for bluegrass string band “Drawn” was released on the Jake Schepps Quintet’s album “Entwined” which was selected as a top album of the year by Colorado Public Radio. He is currently a Doctoral Fellow at Princeton University.

STAFF PICKS: Friday Faves

Second Inversion hosts Seth, Geoffrey, and Maggie M. each share a favorite selection from the Friday 4/15/16 playlist! Tune in at the indicated times below to hear these pieces. In the meantime, you’ll hear other great new and unusual music from all corners of the classical genre 24/7!

Lisa Bielawa: “Hurry” from The Lay of the Love (Innova)

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Lisa Bielawa’s Hurry is a breathless recounting of the composer’s impressions of a Boris Pasternak poem, translated to English from the original Russian. I love how Bielawa seamlessly transitions from the sparse, bare and wide-open chamber music textures of the work’s opening sections to the larger, lyrical, almost orchestral sounds later in the piece. It’s an all-star cast on this recording, featuring some of my favorite powerhouse musicians such as pianist Benjamin Hochmann and clarinetist Anthony McGill. – Geoffrey Larson

Check out the first stanza from Boris Pasternak’s poem:

Hurry, my verses, hurry; never
have I so needed you before.
Round the corner there’s a house
where the days have broken rank.
Comfort there’s none and all work’s stopped
and there they weep, ponder and wait.

Tune in to Second Inversion in the 2pm hour today to hear this recording.


Shara Nova: “A Whistle, A Tune, A Macaroon” from yMusic’s Beautiful Mechanical (New Amsterdam)

homepage_large.cbf92e9bComposer, songwriter, and mezzo-soprano extraordinaire Shara Worden recently changed her name to Shara Nova—and it couldn’t be more appropriate. In Hebrew, Shara means “song”—a pretty serendipitous name for a singer-songwriter—and in Latin, Nova means “new.”

Throughout her career as a full-time contemporary classical chameleon, she has recreated herself and her music again and again, exploring the furthest reaches of the classical genre. She’s created and fronted her own avant-garde rock band, My Brightest Diamond, composed and starred in her own 21st century baroque chamber opera, “You Us We All,” and collaborated with composers and artists as diverse as the Decemberists, Sarah Kirkland Snider, Sufjan Stevens, Colin Stetson, David Byrne, and many, many more.

“A Whistle, A Tune, A Macaroon” showcases a collaboration with another powerful force in contemporary classical: yMusic. Though we don’t get to hear any of Nova’s vocals on this track, her soaring, songlike melodies and keen ear for experimentation are unmistakable in this composition. Exotic flute and clarinet idioms dance above pizzicato basslines to create a new work that is every bit as whimsical as its title. Suffice it to say, it’s a new song you do not want to miss. – Maggie Molloy

Tune in to Second Inversion in the 4pm hour today to hear this recording.


Matt McBane: “imagining winter” from Build (New Amsterdam)

build-buildViolinist and composer Matt McBane’s ensemble Build is a favorite of mine. This week, I’m pleased to present you with their track imagining winter, composed by McBane. I’ve been very busy lately, so I’ve been focused on keeping my head down and digging in to make it through to Memorial Day weekend.  That is why I connected with this particular piece this week; this music seems to be the sonic equivalent of my recent state of mind. More generally, with characteristics of minimalism, cinematic music (a la Les Triplettes de Belleville), and subdued jazz elements, this piece is an excellent soundtrack for your solitary urban adventures, whether that means a focused day at the office or a surreptitious exploration of forbidden places. – Seth Tompkins

Tune in to Second Inversion in the 6pm hour today to hear this recording.

 

Staff & Community Picks: July 1, 2015

A weekly rundown of the music our staff and listeners are loving lately!  Are you interested in contributing some thoughts on your favorite new music albums? Drop us a line!


OnOnalbumcover“On and On and”- and what? Well that’s the whole point, there is no “what.” This piece is based on the writings of John Muir, in particular his description of the cycle of nature going “on and on.” The rising and falling patterns of this piece, at times reaching great heights of range and dynamics and suddenly falling, only to build back up again, is indicative of a simple concept seen everywhere in nature, and indeed in all realms of the arts – the buildup and release of energy, and energy can never be created or destroyed, only transformed. – by David Wall



915_coverLisa Bielawa’s album “The Lay of the Love” speaks to the amazing ways humans find hope and comfort in dark times. She was inspired to learn that thousands of World War I soldiers carried Rilke’s work, The Lay of the Love and Death, with them in their coat pockets. She wrote a moving piece for baritone, piano, and violin set to its text. The next piece, “Wait,” was inspired by just one passage in Eugene Onegin that holds out hope for an escape from exile. In the album’s closing piece, “Hurry,” a soprano narrator digs deep to find a creative muse during a bleak period in her life, and a chamber ensemble cries out alongside her. There’s an inspirational message here for anyone who needs a pick-me-up. – by Jill Kimball



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The John Adams Chamber Symphony is one of my favorite works of music and is a mind-bending, exhilarating, fiendishly difficult piece to perform – every time I hear of a new recording I have a fangirl-level freakout. But the insanity of the Chamber Symphony is just the beginning of this musical thrill-ride from the Aurora Orchestra; we also get a touch of Charles Ives, Copland’s original chamber version of Appalachian Spring, and a Nico Muhly arrangement of Paul Simon, all presented in story-board fashion prefaced by a spoken-word and mandolin piece by Max Baillie. This tour-de-force of Americana doesn’t just show the range of different styles between the different composers, it exposes surprising similarities. – by Geoffrey Larson