STAFF PICKS: Friday Faves

Second Inversion hosts share a favorite selection from their weekly playlist. Tune in on Friday, April 28 to hear these pieces and plenty of other new and unusual music from all corners of the classical genre!

Shara Nova: You Us We All (Zosima)
Performed with Baroque Orchestration X

In recent years there’s been a notable resurgence of Baroque forms and instruments in contemporary classical music—but nowhere so convincingly as in Shara Nova’s Baroque chamber pop opera You Us We All.

This colorful court masque tells the story of five allegorical characters searching for meaning in the modern age, traversing through corny fan letters and cornetto solos, broken hearts and Baroque instruments all along the way.

Nova’s lustrous vocals sparkle in the leading role of Hope, alongside a small but mighty cast of singers who play Virtue, Love, Time, and of course, Death. Baroque Orchestration X provides a clean and courtly backdrop on period instruments, with some more modern percussion (typewriter, anyone?) thrown in for a 21st-century spin. All in all, it’s the perfect marriage of old and new: antique instruments, modern music, timeless themes—and just a dash of existentialism. – Maggie Molloy

Tune in to Second Inversion in the 2pm hour today to hear an excerpt from this piece.


Béla Fleck and Mike Marshall: “The Big Cheese” (Sony Classical)

Here in Seattle, it FINALLY feels like spring has arrived… after a record-breaking-ly soggy winter (look it up).  Still, I’ve been feeling some hesitation to go outside and reconnect with the glowing orb in the sky.  If you, like me, could use a kick in the pants to “get out there,” this track could just do the trick.  The lithe Appalachian flavors here are mixed with some decidedly more square music by English Renaissance composer William Byrd.  Perfect!
Seth Tompkins

Tune in to Second Inversion in the 3pm hour today to hear this piece.


Patrick Laird: “Che” 
Performed by Break of Reality

Break of Reality is the ultimate “don’t usually like classical but I love this” band.  They brand themselves as “cello rock” and it’s a fitting description as even my punk-rock-playing drummer dad would feel at home in this music.  With fierce cellos and intense percussion, “Che” is a passionate, almost violent, exploration of anger and fear.  If you’re looking for a unique classical experience, this is your stop.
Rachele Hales

Tune in to Second Inversion in the 6pm hour today to hear this piece.


Julia Wolfe: Early that summer (Innova Records)
Performed by ETHEL

Boy, this is a crunchy piece. Wolfe uses dissonance throughout this ostinato-filled string quartet to propel the energy along, creating an unfolding sense of conflict. It makes sense: she composed the work while reading a book on American political history, where seemingly small incidents (often introduced in the book with the phrase “early that summer”) would snowball into major political crises. This piece was composed in 1992, but it still represents some music that instead of shying away from the dissonance of our current political climate, dives fully in and revels in it.  – Geoffrey Larson

Tune in to Second Inversion in the 9pm hour today to hear this piece.

STAFF PICKS: Friday Faves

Second Inversion hosts share a favorite selection from their weekly playlist. Tune in on Friday, April 14 to hear these pieces and plenty of other new and unusual music from all corners of the classical genre!

Valgeir Sigurðsson: “Architecture of Loss: The Crumbling” (Bedroom Community)

Valgeir Sigurðsson’s “Architecture of Loss: The Crumbling” is five minutes of bold, emotive, string-heavy resonance sweetened with silvery piano and sharpened by nearly subliminal scratches and creaks. The music is drawn from the concept of “formation and disintegration,” so the sparse notes and lingering strings serve the theme well. It’s a piece evocative of splintering glaciers: beautiful yet uneasy.
Rachele Hales

Tune in to Second Inversion in the 11m hour today to hear this piece.


Danny Clay: “Two and Six” (Ignition Duo)

Unlike some stuff we play on Second Inversion, Danny Clay’s “Two and Six” is an example of music best experienced in headphones. The interplay of harmonics between the two guitars is more engrossing and intimate in stereo, especially if the audio is piped straight to your brain. So, I advise you to put your cans on and chill out to this introspective conversation between twin electric guitars. Whether you need to focus or relax, this track is an excellent choice. – Seth Tompkins

Tune in to Second Inversion in the 3pm hour today to hear this piece.


Terry Riley: “Venus in ’94″
Performed by Gloria Cheng (Telarc Records)

He’s one of the world’s foremost boundary-bursting minimalists; she’s a Grammy-winning pianist known for championing new music—it’s a match made in musical heaven. The world premiere recording of Terry Riley’s “Venus in ’94” sparkles under Gloria Cheng’s free-spirited fingers, which gracefully soar up, down, and around an utter obstacle course of intricate voicings and rhythms.

Half waltz, half scherzo, the piece is a delicate but deftly virtuosic lesson in extravagant romanticism—or as Riley himself describes it: “A tip of the hat to early Schoenberg, Chopin, and Brazil.”
Maggie Molloy

Tune in to Second Inversion in the 7pm hour today to hear this piece.