New Music Concerts: November 2016 Seattle * Eastside * Tacoma

SI_button2Second Inversion and the Live Music Project create a monthly calendar featuring contemporary classical, cross-genre, and experimental performances in Seattle, the Eastside, Tacoma, and places in between! 

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Keep an eye out for our this flyer in concert programs and coffee shops around town. Feel free to download, print, and distribute it yourself! If you’d like to be included on this list drop us a line at least 6 weeks prior to the event.

 

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Racer Sessions
A weekly showcase of original music with a jam session based on the concepts in the opening presentation.
Every Sunday, 8-10pm, Cafe Racer | FREE

Wayward Music Series
Concerts of contemporary composition, free improvisation, electronic/electroacoustic music, & more.
Various days, 7:30/8pm, Good Shepherd Chapel | $5-$15
Check website for complete listings

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patchtax at Vermillion
patchtax is a viola/saxophone duo based in Boston who explore unconventional performance practices within the realm of classical chamber music.
Thurs, 11/3, 8pm, Vermillion Art Gallery & Bar | Pay-what-you-can

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Seattle Modern Orchestra: Reflections on Sound and Silence
SMO presents Andrew Waggoner’s Concerto for Piano featuring soloist Gloria Cheng along with works by Wolfgang Rihm & Vykintas Baltakas.
Thurs, 11/3, 8pm, Good Shepherd Chapel | $10- $25

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Cornish Presents: Bora Yoon
Korean-American composer, vocalist, and multi-instrumentalist Bora Yoon presents audiovisual storytelling through music, movement and sound.
Fri, 11/4, 8pm, Kerry Hall | $10-$20

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Seattle Composers’ Salon
Composers, performers, & audience gather in a casual setting that allows for experimentation & discussion of finished works & works in progress.
Friday, 11/4, 8pm, Good Shepherd Chapel | $5-$15

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PLU Symphony Orchestra: Kracht, Copland, Youtz
Svend Rønning premieres a violin concerto by Jerry Kracht. Also on the program: Copland’s Appalachian Spring.
Mon, 11/7, 8pm, Lagerquist Concert Hall, Tacoma | $5-$8 (PLU Students/18 and under free)

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Seattle Symphony: Sonic Evolution Co-Presented with Earshot Jazz
The Garfield High School Jazz Band & singer Grace Love join SSO in celebrating Quincy Jones & Ernestine Anderson with a world premiere by Kenji Bunch.
Fri, 11/11, 8pm, Benaroya Hall | $21-30

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Cornish Presents: Inverted Space
Seattle’s Inverted Space Ensemble presents two continuous sets of music from Anthony Braxton and Morton Feldman.
Sat, 11/12, 8pm, Kerry Hall | $10-$20

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On Stage with Classical KING FM: Multimedia/Art Mashup
Art leaves the gallery and becomes an interactive and musical experience led by artists from Gage Academy and the Skyros Quartet.
Sat, 11/12, 7:30pm, Resonance at SOMA Towers | $25

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Meany Center for the Performing Arts: Imani Winds
Joined by pianist Fabio Bidini, Imani Winds presents a program of Piazzolla, D’Rivera, Mozart, Valerie Coleman (Imani Winds flutist), and more!
Tue, 11/15, 7:30pm, Meany Hall | $40-$45

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Music of Today: DXARTS Fall Concert
The Cuong Vu Trio collaborates with UW faculty composers Richard Karpen and Juan Pampin and Vietnamese master musician Nguyễn Thanh Thủy (Six Tones Ensemble).
Thurs, 11/17, 7:30pm, Jones Playhouse | $10-$15

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John Cage Musicircus
Music & lectures written and influenced by John Cage. Dance inspired by Cage & Cunningham. Live art inspired by the I Ching & chance operations.
Sat, 11/19, 7pm, Town Hall | $5-15 (youth free)

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Tacoma Symphony Orchestra: Copland and Glass
Saxophonist Amy Dickson presents her transcription of Philip Glass’ Violin Concerto No.1. Barber, Copland, and Bernstein round out this all-American program.
Sat, 11/19, 7:30pm, Pantages Theater, Tacoma | $19-80

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Second City Chamber Series: Looking Back – Looking Forward
A program exploring the great chamber music of the past AND present composed by former SCCS Artistic Directors William Doppmann & Jerry Kracht.
Sun, 11/20, 7:30pm, Great Hall at Annie Wright School, Tacoma | $10-$25 (18 and under free)

CONCERT SPOTLIGHT: May 7-11

by Maggie Molloy 

Add some color to your May with a jaunt down “Abbey Road,” a trip to a microtonal music instrumentarium, and many more multihued music events!

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Machinations Musical, Divers & Sundry

Music and machine unite this week at a diverse and sundry performance featuring the electroacoustic works of students and graduates from the University of Washington.

“Machinations Musical, Divers & Sundry” will feature original works by composers who are currently studying (or have previously studied) at UW’s School of Music or Center for Digital Arts and Experimental Media (DXARTS). The wide-ranging program has everything from 19-tone equal temperament electric guitars to violin-horn duos to computer-realized surround sound to kinetic sculpture—all performed by the composers themselves.

The performance is this Thursday, May 7 at 8 p.m. at the Chapel Performance Space at the Good Shepherd Center in Wallingford.

Seattle Composers’ Salon

owcharuk-38-600x400Jazz up your Friday night with a trip to the Seattle Composers’ Salon, featuring a selection of Seattle’s smoothest, snazziest jazz cats.

The bi-monthly Salon presents new music in a casual setting, offering composers, performers, and audience members a space to experiment and discuss contemporary works. This evening’s performance features composer, jazz pianist, and accordionist Michael Owcharuk, jazz drummer Matthew James Briggs, and composers Jessi Harvey and Ian McKnight.

The performance is this Friday, May 8 at 8 p.m. at the Chapel Performance Space at the Good Shepherd Center in Wallingford.

Prism: Pärt and MacMillan

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“I could compare my music to white light which contains all colors,” said Estonian composer Arvo Pärt. “Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.”

In honor of Pärt’s 80th birthday, Seattle Pro Musica is performing a concert full of the influential composer’s colorful choral works. Known for his sacred and classical music, Pärt is inspired by elements of minimalism as well as his own mystical experiences with chant music.

The concert will also feature the melodic, modern works of James MacMillan, the multihued harmonies of Brian Edward Galante, and a world premiere of a new commission by John Muehleisen.

Performances are this Friday, May 8 and Saturday, May 9 at 8 p.m. at St. James Cathedral in Seattle.

Seattle Rock Orchestra Performs the Beatles’ “Let It Be” & “Abbey Road”

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This weekend, Seattle Rock Orchestra is taking fans down a “Long and Winding Road” through the Beatles’ discography. The performance is the fourth entry in their chronological exploration of the band’s catalogue of classics, arriving at their final studio recordings: “Let it Be” and “Abbey Road.”

“Come Together” for this beautiful evening of beloved Beatles tunes which will take you “Across the Universe,” to an “Octopus’s Garden,” all the way along “Abbey Road’s” famous 16-minute medley, and through countless other rock ‘n’ roll classics. The performance will feature guest vocalists Zach Davidson (of Vendetta Red), Tamara Power-Drutis, Matt and Mike Gervais (of Mikey & Matty), and Miranda Zickler (of Wild Rabbit).

Performances are this Saturday, May 9 at 8 p.m. and Sunday, May 10 at 2 p.m. at the Moore Theatre.

Music of Today: Harry Partch Instruments Presentation

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Harry Partch was a composer, music theorist, and instrument maker interested in much more than just your typical 12 intervals to the octave. He was one of the first 20th century composers in the West to work with microtonal scales, building his own custom-made instruments in different tunings in order to perform his compositions.

And now, you can see (and hear) these instruments in all their microtonal magnificence at the University of Washington. Next week Charles Corey, director of the Harry Partch Institute at UW, will be giving a public demonstration of instruments from the collection. The Harry Partch Instrumentarium is currently in residence at the UW School of Music.

The presentation is this Monday, May 11 at 7:30 p.m. at UW’s Meany Hall.